The Dutch still-life painter Willem Kalf was one of the Old Masters of the Amsterdam school of Dutch Realism who specialised in luxurious banquet sets known as Pronkstilleven - a species of still life painting, which contained gold, silver and glass vessels. Home Artists Artworks Buy About us Buy 5 prints and get 35% + 15% off on all items. Later in his life, Kalf became an art dealer and appraiser. It includes Venetian and Dutch fine glassware, a ginger jar from China, a dutch silver platter, a medeteranean peach, a half pealed lemon, all displayed on an indian floral rug. This style of still life originated in 17th century Holland during still life’s height of popularity. This style of still life originated in 17th century Holland during still lifeâs height of popularity. His early works depict kitchen interiors with such elements as gourds and pots and pans strewn on the floor. Collection. FREE Shipping. That rich subject matter naturally appealed to the wealthy members of Dutch society in the 17th century, and his work became known as pronkstilleven, which in Dutch means, “opulent still life painting.” Willem Kalf was born in 1619 into a fairly well-off merchant family in Rotterdam, and eventually moved to Paris to began his artistic career. Willem Kalf was one of the most celebrated, sought after, and successful still-life painters of the seventeenth century. Sometimes he combined elements from various objects. You may download complete editions of this catalog from the catalog’s home page. Updates? Kalf’s paintings were destined for an elite audience, one that not only took pride in the mercantile prosperity of the Dutch Republic but also had been instrumental in creating that wealth. Some of the other pigments in the painting were also analyzed at this time (see report, dated October 19, 2010, in NGA Conservation department files). In the seventeenth century, they were probably to be found only in the homes of the wealthy because of their high cost. Still-Life, 1653 by Willem Kalf (1619-1693, Netherlands) | Museum Quality Copies Willem Kalf | WahooArt.com Pieter Claesz creates an amazing vanitas in 1628. A craze for Chinese porcelain had developed in the Netherlands after the capture of Portuguese ships carrying a large cargo of Wan-Li porcelain in March 1603 and continued throughout the century. Still Life with a Peeled Lemon â Willem Kalf (Dutch, 1619 â 1693) 1664 Oil on canvas * Rose-Marie and Eijk van Otterloo Collection * Courtesy Museum of Fine Arts, Boston A favorite technique of mine for emulating the Dutch Masterâs look is light painting. WORLD'S BEST ART See: Greatest Paintings Ever. 54.PA.1 Open Content images tend to be large in file-size. Before Kalf (and other Dutch still life artists), such paintings were considered somewhat inferior, because their subject matter was devoid of any deeper meaning. Nevertheless, according to De Lairesse, Kalf did not include objects in his paintings to convey a specific meaning or moral. Kalf's Still life with a Late Ming Ginger Jar (1669) is an interesting still life portraying the prosperous Dutch merchant trading with Eastern Asia. Though his still lifes followed an established formula, Kalf greatly enriched the genre with his use of simple composition, dark background, and acutely perceived highlights. Note: Exhibition history, provenance, and bibliography are subject to change as new information becomes available. Gérard de Lairesse, Groot schilderboek, 2 vols. He expressly compares the painting to four other works: three paintings dated 1659, his nos. Porcelain made in China during the reign of Wan Li (1563–1620) was highly valued in the Netherlands. Dutch artist and still life painter Willem Kalf created some of the finest, most ornate still life paintings in art history. His mature still-life works are of a type called 'Pronkstilleven' in Dutch, meaning 'ostentatious still life' and referring to the display of lavish man-made objects. Still Life with a Silver Jug and a Porcelain Bowl, Willem Kalf, 1655 - 1660. 46); Chester Dale [1883-1962], New York; gift 1943 to NGA. Still Life with Ewer, Vessels, and Pomegranate Willem Kalf (Dutch, 1619 - 1693) 104.5 × 80.6 cm (41 1/8 × 31 3/4 in.)   Such carpets were, and still are, often used by the Dutch as covers for tables. Willem Kalf was a Dutch Golden Age painter who specialized in still lifes. The bowl in this painting is known as a clapmuts in the Netherlands. (Haarlem, 1740; reprint, Soest, 1969), 268: “Hoewel wy hier voor gezegt hebben, dat de vermaarde Kalf in de Stillevens boven anderen heeft uitgemunt, heeft hy nochtans, zo min als zyne voorgangers en navolgers, reden van zyne verbeeldingen weeten te geeven, waarom hy dit of dat vertoonde: maar slechts het geen hem in den zin schoot (als een porcelyne pot of schaal, een goude bokaal, een fluit of roemer met wyn, en daar in een citroenschil hangende, een horologie, paerlemoere hoorn op een goude of zilvere voet, een zilvere schaal of bord met persikken, of wel opengesnedene chinaasappelen of citroenen, een tapyt, en diergelyke gewoonlyke dingen) verbeeld, zonder eens zyne gedachten te hebben laaten gaan om iets van belang voort te brengen daar een byzondere zin in stak, of’t geen ergens op toegepast kon worden.” (Even though we just stated that the famous Kalf was the very best still-life painter, he nevertheless, just as his predecessors and followers never explained the reason for his compositions, why he depicted this or that; but only painted that which fancied him—such as a porcelain pot or bowl, a gold chalice, a flute or roemer with wine, in which dangled a lemon-peel, a pocket-watch, a horn of mother-of-pearls mounted on a gold- or silver base, a silver platter or plate with peaches, or perhaps sliced oranges or lemons, a tapestry, and similar common objects—without ever having considered whether to create something important that had a significant meaning, or that could refer to something.) 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